National Academy of Music “Prof. Pancho Vladigerov”

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Elitsa Neshevska

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Prof. Mati Pinkas’ Theme-oriented Concerts – The Artist’s Innovative Approach

Elitsa Neshevska NAMES AND TRADITIONS IN NMA Year 5 (2013)

This material outlines the following career highlights of the great Bulgarian singer and voice teacher prof. Mati Pinkas.

CONTENTS

NAMES AND TRADITIONS IN NMA
MUSIC PERFORMANCE ART
MUSICAL AND RESEARCH ART
DEBUTS
LIBRARY AND SOUND ARCHIVE

ARTICLES

Anniversary – Seventy-five Years Since Pianist Anton Dikov’s Birth (1938 – 2004)
Prof. Mati Pinkas’ Theme-oriented Concerts – The Artist’s Innovative Approach
Musical Education in Aristides Quintilianus’ „On Music“
Yana Yazova – Musical and Cultural Parallels. A Hypothesis of Drama as a Musical Creation Inventio. Arnold Schering, Beethoven und Die Dichtung
Prof. Nikolay Kaufman’s Arrangements of Jewish Songs
Implied Polyphony
Solfège – Current Aspects of Music Perception Structure
Psychoacoustic Principles as an Artistic Manipulation Method in the Process of Music Creation and Audio Production
Development of the Violoncello and Leading German Cello Schools of Pedagogy of the 19th Century
An Innovative Method for Initial Training in Trombone – a Historic-Organological Aspect
Musical and Interpretational Difficulties in Quartet № 4 „MicroQuartet“ by Marin Goleminov
Harmonic Features in Modest Mussorgsky’s Piano oevre
Cosmic Vision and Space Symbolism in Scriabin’s Last Sonata
Yordan Goshev’s Еtudes – a Serious Challenge for the Modern Pianist
Bulgarian National Radio Folk Song Ensemble – the Chorale in the Opening Stage of Its Creation
Bulgarian Choral Art and Choir Interpretation – Interaction and Mutual Dependence
The Voice Part and the Orchestra as an Element in the Musical Dramaturgy
Actor’s Creative Process
Chamber-Vocal Music Making in the Learning Process – the Role of the Teacher-Pianist in Creating an Ensemble
Chamber Ensembles with Vocal Duet
The Musical „Sluzhbogontsi“(„Career Chasers“) by Parashkev Hadjiev. Directorial Touch and Reference Points before the Performance
Shakespeare, Boito, Verdi and the Birth of „Falstaff“ – a Masterpiece of the Comic Genre
Improvisation in Jazz Dance as Means of Students’ Creative Development
Creative Abilities of People with Permanent Disabilities and Their Integration Through Music-Stage Art
Fragments of Musical Life in Svishtov During the Second Half of the Nineteenth Century
Modern methods for citation dynamics determination in scientific publications

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