Articles

Focus of my attention is the existence of two parallel directions of musical development, their interaction and meaning.

This text examines and discusses actor’s play as a continuation of genuine human experience. Acting is being regarded, through adaptation of certain psychological and physiological sensation, as a provisional, synthesized analogue of life. Numerous arguments, practical observations and scientific facts are included in the narrative, in support of the thesis, that theatre behavior is an inborn natural state of the human being – par excellence.

Familiarization with chamber repertoire is an essential and important part of the musical education of young singers. The small form teaches discipline and reflection, attention to proportions and ratios, creates a sense of ensemble, balance, and conceptual unity. By mastering the art song the student develops a range of vocal skills that becomes part of his technical potential.

This article analyses different types of music texture found in these ensembles. Its goal is to establish the role and interaction between the different parts in the ensemble. It is a key to the correct interpretation of the composer’s intentions. A special step-preparation rehearsal scheme is offered for this process.

This article analyzes the dramatic action in the musical “Sluzhbogontsi” by Parashkev Hadzhiev through the director’s perspective, in view of its future stage production.