In the last few decades, cognitive science and music psychology begin to investigate the neurobiological processes related to music awareness. As a result, modern musical theory associates with new music perception and memory interpretations – using latest technologies and tools. Music theory affects music dictation types, under the influence of new knowledge and technology.
This article presents and comments on the meaning and practical application of a number of basic psychoacoustic principles, both in the process of music creation (composition, arrangement, performance) and in the professional audio production.
This article analyzes cello performing art of the 19th century. This instrument’s characteristics and playing technique are shown in detail – in context of the said epoque.
The research accents on the comparative historic analysis of the alto trombone and the euphonium, thus filling up a considerable gap in the Bulgarian organology.
This article discusses musical issues that frequently arise at the performance of one of the most popular Bulgarian quartets. These problems are analyzed and interpreted by taking into consideration both the fundamental methodological principles, as well as the long-standing performing traditions brought about by the works of Marin Goleminov and quartet “Dimov”.