{"id":5236,"date":"2019-02-12T16:59:45","date_gmt":"2019-02-12T16:59:45","guid":{"rendered":"https:\/\/nma.bg\/almanac_en\/?p=5236"},"modified":"2020-06-10T22:16:10","modified_gmt":"2020-06-10T22:16:10","slug":"dialogues-with-silence-concerto-piccolo-%e2%84%96-6-for-clarinet-and-violoncello-by-petar-petrov-interpretation-ideas-and-ensemble-problems","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/dialogues-with-silence-concerto-piccolo-%e2%84%96-6-for-clarinet-and-violoncello-by-petar-petrov-interpretation-ideas-and-ensemble-problems\/","title":{"rendered":"\u201cDialogues With Silence\u201d (Concerto Piccolo \u2116 6) for Clarinet and Violoncello by Petar Petrov. Interpretation Ideas and Ensemble Problems"},"content":{"rendered":"<p>Petar Petrov (b. 1961) is an author who, throughout his entire creative process, combines skillfully the traditional with the contemporary, the national with the universal, by means of specific intonation and rhythmic formulas. In his piece <em>Dialogues with Silence<\/em> for clarinet and violoncello (a cyclic work in five parts, built with a markedly polyphonic means) these trends appear already as a completely formed musical language. One important personage intervenes in the dialogue \u2013 the pause \u2013 as an artful protagonist of Silence. The three canons (Movements II, III and IV) have exactly the same duration as the framing movements (first and last) \u2013 Thesis and Antithesis. <em>Dialogues with Silence<\/em> is doubtlessly one of the most original and subtle works in the treasury of Bulgarian chamber music. Performers must uphold the composer\u2019s creative stand, and without any extrovert means must share his quiet, inward \u201cauto-dialogue\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Keywords<\/em><\/strong><strong>:<\/strong> Petar [Peter] Petrov, dialogue, silence, canon, retrograde motion (polyphony), inversus, Lithuanian formula, baptismal formula<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-5236\" data-postid=\"5236\" class=\"themify_builder_content themify_builder_content-5236 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>Petar Petrov (b. 1961) is an author who, throughout his entire creative process, combines skillfully the traditional with the contemporary, the national with the universal, by means of specific intonation and rhythmic formulas. In his piece Dialogues with Silence for clarinet and violoncello (a cyclic work in five parts, built with a markedly polyphonic means) [&hellip;]<\/p>\n","protected":false},"author":144,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[116],"tags":[126],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cDialogues With Silence\u201d (Concerto Piccolo \u2116 6) for Clarinet and Violoncello by Petar Petrov. Interpretation Ideas and Ensemble Problems | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/dialogues-with-silence-concerto-piccolo-\u2116-6-for-clarinet-and-violoncello-by-petar-petrov-interpretation-ideas-and-ensemble-problems\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cDialogues With Silence\u201d (Concerto Piccolo \u2116 6) for Clarinet and Violoncello by Petar Petrov. Interpretation Ideas and Ensemble Problems | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"Petar Petrov (b. 1961) is an author who, throughout his entire creative process, combines skillfully the traditional with the contemporary, the national with the universal, by means of specific intonation and rhythmic formulas. In his piece Dialogues with Silence for clarinet and violoncello (a cyclic work in five parts, built with a markedly polyphonic means) [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/dialogues-with-silence-concerto-piccolo-\u2116-6-for-clarinet-and-violoncello-by-petar-petrov-interpretation-ideas-and-ensemble-problems\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-12T16:59:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-10T22:16:10+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/dialogues-with-silence-concerto-piccolo-%e2%84%96-6-for-clarinet-and-violoncello-by-petar-petrov-interpretation-ideas-and-ensemble-problems\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/dialogues-with-silence-concerto-piccolo-%e2%84%96-6-for-clarinet-and-violoncello-by-petar-petrov-interpretation-ideas-and-ensemble-problems\/\",\"name\":\"\\u201cDialogues With Silence\\u201d (Concerto Piccolo \\u2116 6) for Clarinet and Violoncello by Petar Petrov. 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