{"id":5201,"date":"2019-02-12T16:43:40","date_gmt":"2019-02-12T16:43:40","guid":{"rendered":"https:\/\/nma.bg\/almanac_en\/?p=5201"},"modified":"2020-06-09T13:34:04","modified_gmt":"2020-06-09T13:34:04","slug":"new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/","title":{"rendered":"New Sound Concept in Sonoric Music in the Second Half  of the 20th Century"},"content":{"rendered":"<p>This article is devoted to the unified concept of sound \u2013 sonority, derived from the symptomatic art events in the music of the second half of the 20<sup>th<\/sup> century. Sound treatment\u2019s evolutionary transformations are being surveyed, and the acquisition of a new sound understanding, being a complex and compound phenomenon, emancipated from the dominating significance of pitch and its previously determined genre-semantic invariances. The sound phenomenon concept outlining elements are being formulated: its clarification as being an object of philosophical reality, an independent philosophical entity, with its own esthetical-philosophical value, being capable of carrying out important structure-defining functions, being an aggregation of parameters with different characteristics, and being capable to model and study its \u201cinternal-core\u201d processes to an unusual degree, that are going on in the new three-dimensional musical art.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Keywords<\/em><\/strong><strong>:<\/strong> sound, sonoric\/s, sound color\/timbre, three-dimensional musical space<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-5201\" data-postid=\"5201\" class=\"themify_builder_content themify_builder_content-5201 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>This article is devoted to the unified concept of sound \u2013 sonority, derived from the symptomatic art events in the music of the second half of the 20th century. Sound treatment\u2019s evolutionary transformations are being surveyed, and the acquisition of a new sound understanding, being a complex and compound phenomenon, emancipated from the dominating significance [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[114],"tags":[126],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>New Sound Concept in Sonoric Music in the Second Half of the 20th Century | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New Sound Concept in Sonoric Music in the Second Half of the 20th Century | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"This article is devoted to the unified concept of sound \u2013 sonority, derived from the symptomatic art events in the music of the second half of the 20th century. Sound treatment\u2019s evolutionary transformations are being surveyed, and the acquisition of a new sound understanding, being a complex and compound phenomenon, emancipated from the dominating significance [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-12T16:43:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-09T13:34:04+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/\",\"name\":\"New Sound Concept in Sonoric Music in the Second Half of the 20th Century | ALMANAC\",\"isPartOf\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\"},\"datePublished\":\"2019-02-12T16:43:40+00:00\",\"dateModified\":\"2020-06-09T13:34:04+00:00\",\"author\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/22e450935d6858767f3c73d855176cc7\"},\"breadcrumb\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/new-sound-concept-in-sonoric-music-in-the-second-half-of-the-20th-century\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\\u041d\\u0430\\u0447\\u0430\\u043b\\u043e\",\"item\":\"https:\/\/nma.bg\/almanac_en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"New Sound Concept in Sonoric Music in the Second Half of the 20th Century\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/22e450935d6858767f3c73d855176cc7\",\"name\":\"Nadezhda Todorova-Radeva\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/839f6ae6e165bae277ce461d15f85966?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/839f6ae6e165bae277ce461d15f85966?s=96&d=mm&r=g\",\"caption\":\"Nadezhda Todorova-Radeva\"},\"url\":\"https:\/\/nma.bg\/almanac_en\/author\/nadezhdatodorova\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/5201"}],"collection":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/users\/135"}],"replies":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/comments?post=5201"}],"version-history":[{"count":1,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/5201\/revisions"}],"predecessor-version":[{"id":5202,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/5201\/revisions\/5202"}],"wp:attachment":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/media?parent=5201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/categories?post=5201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/tags?post=5201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}