{"id":5000,"date":"2017-11-20T19:50:02","date_gmt":"2017-11-20T19:50:02","guid":{"rendered":"https:\/\/nma.bg\/almanac_en\/?p=5000"},"modified":"2017-12-24T21:12:17","modified_gmt":"2017-12-24T21:12:17","slug":"genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-%e2%84%96-2-4-8-vassil-kazandzhiev","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-%e2%84%96-2-4-8-vassil-kazandzhiev\/","title":{"rendered":"Genre Legitimacy, Compositional-Structural Solutions and Performance Problems in Piano Sonatas \u2116 2, 4 and 8 by Vassil Kazandzhiev"},"content":{"rendered":"<p>This article\u2019s object are three piano sonatas by Vassil Kazandzhiev, and the main scope of their analysis is the fundamental problem about legitimacy in the music genre in the 20th and 21st centuries, the \u201cclavier sonata\u201d in particular. Through these works there are three possible solutions of the sonata genre that are displayed in this article, that predestinate to a large extent the adequate performance approach.<\/p>\n<p><strong><em>Keywords<\/em><\/strong><strong>:<\/strong> Vassil (Vasil) Kazandzhiev (Kazanjiev, Kazandjiev), genre legitimacy, clavier (piano) sonata, sonata principle, structural organization, performance problems<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-5000\" data-postid=\"5000\" class=\"themify_builder_content themify_builder_content-5000 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>This article\u2019s object are three piano sonatas by Vassil Kazandzhiev, and the main scope of their analysis is the fundamental problem about legitimacy in the music genre in the 20th and 21st centuries, the \u201cclavier sonata\u201d in particular. Through these works there are three possible solutions of the sonata genre that are displayed in this [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[106],"tags":[109],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Genre Legitimacy, Compositional-Structural Solutions and Performance Problems in Piano Sonatas \u2116 2, 4 and 8 by Vassil Kazandzhiev | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-\u2116-2-4-8-vassil-kazandzhiev\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Genre Legitimacy, Compositional-Structural Solutions and Performance Problems in Piano Sonatas \u2116 2, 4 and 8 by Vassil Kazandzhiev | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"This article\u2019s object are three piano sonatas by Vassil Kazandzhiev, and the main scope of their analysis is the fundamental problem about legitimacy in the music genre in the 20th and 21st centuries, the \u201cclavier sonata\u201d in particular. Through these works there are three possible solutions of the sonata genre that are displayed in this [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-\u2116-2-4-8-vassil-kazandzhiev\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-20T19:50:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-12-24T21:12:17+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-%e2%84%96-2-4-8-vassil-kazandzhiev\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-%e2%84%96-2-4-8-vassil-kazandzhiev\/\",\"name\":\"Genre Legitimacy, Compositional-Structural Solutions and Performance Problems in Piano Sonatas \\u2116 2, 4 and 8 by Vassil Kazandzhiev | ALMANAC\",\"isPartOf\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\"},\"datePublished\":\"2017-11-20T19:50:02+00:00\",\"dateModified\":\"2017-12-24T21:12:17+00:00\",\"author\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/ec098360c5b755a49c39f7e38e72a6ee\"},\"breadcrumb\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-%e2%84%96-2-4-8-vassil-kazandzhiev\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-%e2%84%96-2-4-8-vassil-kazandzhiev\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/genre-legitimacy-compositional-structural-solutions-performance-problems-piano-sonatas-%e2%84%96-2-4-8-vassil-kazandzhiev\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\\u041d\\u0430\\u0447\\u0430\\u043b\\u043e\",\"item\":\"https:\/\/nma.bg\/almanac_en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Genre Legitimacy, Compositional-Structural Solutions and Performance Problems in Piano Sonatas \\u2116 2, 4 and 8 by Vassil Kazandzhiev\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/ec098360c5b755a49c39f7e38e72a6ee\",\"name\":\"Marin Gonev\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/d7b6b2d2ae0fee77394b524a9c4e6f06?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/d7b6b2d2ae0fee77394b524a9c4e6f06?s=96&d=mm&r=g\",\"caption\":\"Marin Gonev\"},\"url\":\"https:\/\/nma.bg\/almanac_en\/author\/marin-gonev\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/5000"}],"collection":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/comments?post=5000"}],"version-history":[{"count":3,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/5000\/revisions"}],"predecessor-version":[{"id":5160,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/5000\/revisions\/5160"}],"wp:attachment":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/media?parent=5000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/categories?post=5000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/tags?post=5000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}