{"id":4996,"date":"2017-11-20T19:42:47","date_gmt":"2017-11-20T19:42:47","guid":{"rendered":"https:\/\/nma.bg\/almanac_en\/?p=4996"},"modified":"2017-12-24T21:11:41","modified_gmt":"2017-12-24T21:11:41","slug":"late-shchedrin-performance-aspects-clavier-cycle-questions-2003","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/","title":{"rendered":"The Late Shchedrin \u2013 Performance Aspects of His Clavier Cycle \u201cQuestions\u201d (2003)"},"content":{"rendered":"<p>Shchedrin\u2019s late \u0153uvre and his clavier cycle \u201cQuestions\u201d in particular, reflect same specific and characteristic tendencies of 20th century art: thematic laconism, minimum time span of works, concentrated essence and expressivity, posing important questions to the interpreter. This cycle\u2019s pieces are expression of the composer\u2019s \u201ccerebral\u201d dialogue with the performer and audience, making possible to achieve the idea of a life summary, embedded in the dramaturgy, mainly plotted in light-darkness-light manner. In \u201cQuestions\u201d, Shchedrin gives a complete freedom to the performer in choosing tempo, dynamics, stroke, phrasing in an open finale \u2013 in the dramaturgical sense.<\/p>\n<p><strong><em>Keywords<\/em>:<\/strong> clavier cycle, keyboard cycle, \u201cQuestions\u201d, Shchedrin, miniatures, interpretation problems, lack of reprise, reprise-lacking<\/p>\n<p>&nbsp;<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-4996\" data-postid=\"4996\" class=\"themify_builder_content themify_builder_content-4996 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>Shchedrin\u2019s late \u0153uvre and his clavier cycle \u201cQuestions\u201d in particular, reflect same specific and characteristic tendencies of 20th century art: thematic laconism, minimum time span of works, concentrated essence and expressivity, posing important questions to the interpreter. This cycle\u2019s pieces are expression of the composer\u2019s \u201ccerebral\u201d dialogue with the performer and audience, making possible to [&hellip;]<\/p>\n","protected":false},"author":117,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[106],"tags":[109],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Late Shchedrin \u2013 Performance Aspects of His Clavier Cycle \u201cQuestions\u201d (2003) | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Late Shchedrin \u2013 Performance Aspects of His Clavier Cycle \u201cQuestions\u201d (2003) | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"Shchedrin\u2019s late \u0153uvre and his clavier cycle \u201cQuestions\u201d in particular, reflect same specific and characteristic tendencies of 20th century art: thematic laconism, minimum time span of works, concentrated essence and expressivity, posing important questions to the interpreter. This cycle\u2019s pieces are expression of the composer\u2019s \u201ccerebral\u201d dialogue with the performer and audience, making possible to [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-20T19:42:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-12-24T21:11:41+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/\",\"name\":\"The Late Shchedrin \\u2013 Performance Aspects of His Clavier Cycle \\u201cQuestions\\u201d (2003) | ALMANAC\",\"isPartOf\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\"},\"datePublished\":\"2017-11-20T19:42:47+00:00\",\"dateModified\":\"2017-12-24T21:11:41+00:00\",\"author\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/a886263fef0932159488ff52f7b064e4\"},\"breadcrumb\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/late-shchedrin-performance-aspects-clavier-cycle-questions-2003\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\\u041d\\u0430\\u0447\\u0430\\u043b\\u043e\",\"item\":\"https:\/\/nma.bg\/almanac_en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Late Shchedrin \\u2013 Performance Aspects of His Clavier Cycle \\u201cQuestions\\u201d (2003)\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/a886263fef0932159488ff52f7b064e4\",\"name\":\"Daniela Andonova\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/0093e265df082f5f7471b372cbb1f644?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/0093e265df082f5f7471b372cbb1f644?s=96&d=mm&r=g\",\"caption\":\"Daniela Andonova\"},\"url\":\"https:\/\/nma.bg\/almanac_en\/author\/daniela-andonova\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4996"}],"collection":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/users\/117"}],"replies":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/comments?post=4996"}],"version-history":[{"count":4,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4996\/revisions"}],"predecessor-version":[{"id":5159,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4996\/revisions\/5159"}],"wp:attachment":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/media?parent=4996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/categories?post=4996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/tags?post=4996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}