{"id":4978,"date":"2017-11-20T19:34:57","date_gmt":"2017-11-20T19:34:57","guid":{"rendered":"https:\/\/nma.bg\/almanac_en\/?p=4978"},"modified":"2017-12-24T21:08:31","modified_gmt":"2017-12-24T21:08:31","slug":"dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/","title":{"rendered":"Dmitriy Shostakovich\u2019s Opera \u201cNose\u201d as a Product of the Russian  Avant-guarde Esthethics at the First Decades of the 20th Century"},"content":{"rendered":"<p>Creative contacts between the young Shostakovich and Russian art avant-guarde representatives in the first decades of the 20th century is an interesting research object for the contemporary music science. The present article analyzes their technical interaction, displayed in the opera \u201cNose.\u201d This work\u2019s avant-guarde essence is revealed together with its historical fate and development of music theory thoughts about it, in conditions of political terror, artistic passions and their subsequent revisions of past decades.<\/p>\n<p><strong><em>Keywords<\/em><\/strong><strong>:<\/strong> Dmitriy Shostakovich, opera \u201cNose\u201d, Russian avant-guarde, \u201cweirdization\u201d, getting strange, getting weird, absurd, satire, grotesque<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-4978\" data-postid=\"4978\" class=\"themify_builder_content themify_builder_content-4978 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>Creative contacts between the young Shostakovich and Russian art avant-guarde representatives in the first decades of the 20th century is an interesting research object for the contemporary music science. The present article analyzes their technical interaction, displayed in the opera \u201cNose.\u201d This work\u2019s avant-guarde essence is revealed together with its historical fate and development of [&hellip;]<\/p>\n","protected":false},"author":112,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[104],"tags":[109],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dmitriy Shostakovich\u2019s Opera \u201cNose\u201d as a Product of the Russian Avant-guarde Esthethics at the First Decades of the 20th Century | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dmitriy Shostakovich\u2019s Opera \u201cNose\u201d as a Product of the Russian Avant-guarde Esthethics at the First Decades of the 20th Century | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"Creative contacts between the young Shostakovich and Russian art avant-guarde representatives in the first decades of the 20th century is an interesting research object for the contemporary music science. The present article analyzes their technical interaction, displayed in the opera \u201cNose.\u201d This work\u2019s avant-guarde essence is revealed together with its historical fate and development of [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-20T19:34:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-12-24T21:08:31+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/\",\"name\":\"Dmitriy Shostakovich\\u2019s Opera \\u201cNose\\u201d as a Product of the Russian Avant-guarde Esthethics at the First Decades of the 20th Century | ALMANAC\",\"isPartOf\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\"},\"datePublished\":\"2017-11-20T19:34:57+00:00\",\"dateModified\":\"2017-12-24T21:08:31+00:00\",\"author\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/d8e38d692a30b2bdfd5e3f5b35252556\"},\"breadcrumb\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/dmitriy-shostakovichs-opera-nose-product-russian-avant-guarde-esthethics-first-decades-20th-century\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\\u041d\\u0430\\u0447\\u0430\\u043b\\u043e\",\"item\":\"https:\/\/nma.bg\/almanac_en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Dmitriy Shostakovich\\u2019s Opera \\u201cNose\\u201d as a Product of the Russian Avant-guarde Esthethics at the First Decades of the 20th Century\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/d8e38d692a30b2bdfd5e3f5b35252556\",\"name\":\"Boryana Mangova\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/97de67b013283ec76108e9f3f814c536?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/97de67b013283ec76108e9f3f814c536?s=96&d=mm&r=g\",\"caption\":\"Boryana Mangova\"},\"url\":\"https:\/\/nma.bg\/almanac_en\/author\/boryana-mangova\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4978"}],"collection":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/users\/112"}],"replies":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/comments?post=4978"}],"version-history":[{"count":3,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4978\/revisions"}],"predecessor-version":[{"id":5154,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4978\/revisions\/5154"}],"wp:attachment":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/media?parent=4978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/categories?post=4978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/tags?post=4978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}