{"id":4916,"date":"2016-10-29T14:24:10","date_gmt":"2016-10-29T14:24:10","guid":{"rendered":"https:\/\/nma.bg\/almanac_en\/?p=4916"},"modified":"2020-06-07T05:58:34","modified_gmt":"2020-06-07T05:58:34","slug":"helmut-lachenmanns-composition-auditory-body-sense","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/","title":{"rendered":"Helmut Lachenmann\u2019s Composition:  Auditory and Body Sense"},"content":{"rendered":"<p>Lachenmann gets inspired by sound\u2019s electronic and acoustic decomposition. How Lachenmann succeeds to discover \u201cforms of listening\u201d \u201cbetween the sounds\u201d is related to the vision of \u201csuper-instrument metaphor.\u201d Form is treated as a \u201csuper-sequence\u201d presenting the entire string \u201cinstrument-apparatus.\u201d This text comments on the concepts of \u201cfleshiness\u201d and \u201cimaginary instrument,\u201d both connected to the musical syntax in the Second String Quartet \u201cReigen seliger Geister.\u201d Syntax\u2019s innovative forms and language development in Lachenmann\u2019s opuses, a creation of the end of the 20th century, are among the main discoveries in composition renewal and sound forms\u2019 development in post-modern composition.<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-4916\" data-postid=\"4916\" class=\"themify_builder_content themify_builder_content-4916 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>Lachenmann gets inspired by sound\u2019s electronic and acoustic decomposition. How Lachenmann succeeds to discover \u201cforms of listening\u201d \u201cbetween the sounds\u201d is related to the vision of \u201csuper-instrument metaphor.\u201d Form is treated as a \u201csuper-sequence\u201d presenting the entire string \u201cinstrument-apparatus.\u201d This text comments on the concepts of \u201cfleshiness\u201d and \u201cimaginary instrument,\u201d both connected to the musical [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[101],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Helmut Lachenmann\u2019s Composition: Auditory and Body Sense | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Helmut Lachenmann\u2019s Composition: Auditory and Body Sense | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"Lachenmann gets inspired by sound\u2019s electronic and acoustic decomposition. How Lachenmann succeeds to discover \u201cforms of listening\u201d \u201cbetween the sounds\u201d is related to the vision of \u201csuper-instrument metaphor.\u201d Form is treated as a \u201csuper-sequence\u201d presenting the entire string \u201cinstrument-apparatus.\u201d This text comments on the concepts of \u201cfleshiness\u201d and \u201cimaginary instrument,\u201d both connected to the musical [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-29T14:24:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-07T05:58:34+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/\",\"name\":\"Helmut Lachenmann\\u2019s Composition: Auditory and Body Sense | ALMANAC\",\"isPartOf\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\"},\"datePublished\":\"2016-10-29T14:24:10+00:00\",\"dateModified\":\"2020-06-07T05:58:34+00:00\",\"author\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/396f46082a59826088d331fee21573da\"},\"breadcrumb\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/helmut-lachenmanns-composition-auditory-body-sense\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\\u041d\\u0430\\u0447\\u0430\\u043b\\u043e\",\"item\":\"https:\/\/nma.bg\/almanac_en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Helmut Lachenmann\\u2019s Composition: Auditory and Body Sense\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/396f46082a59826088d331fee21573da\",\"name\":\"Angelina Petrova\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c7ca57848f66f16f3f527eef2c61f611?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c7ca57848f66f16f3f527eef2c61f611?s=96&d=mm&r=g\",\"caption\":\"Angelina Petrova\"},\"url\":\"https:\/\/nma.bg\/almanac_en\/author\/angelinapetrovanma\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4916"}],"collection":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/comments?post=4916"}],"version-history":[{"count":1,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4916\/revisions"}],"predecessor-version":[{"id":4917,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4916\/revisions\/4917"}],"wp:attachment":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/media?parent=4916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/categories?post=4916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/tags?post=4916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}