{"id":4634,"date":"2015-11-04T13:36:56","date_gmt":"2015-11-04T13:36:56","guid":{"rendered":"http:\/\/almanac.nma.bg\/?p=4634"},"modified":"2020-06-11T19:51:24","modified_gmt":"2020-06-11T19:51:24","slug":"chamber-ensembles-with-vocal-duet","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/","title":{"rendered":"Chamber Ensembles with Vocal Duet"},"content":{"rendered":"<p>This article analyses different types of music texture found in these ensembles. Its goal is to establish the role and interaction between the different parts in the ensemble. It is a key to the correct interpretation of the composer&#8217;s intentions. A special step-preparation rehearsal scheme is offered for this process.<\/p>\n<p>The following examples are used: P. Bulahov &#8211; &#8220;Troika&#8221;, F. Mendelssohn-Bartholdy &#8211; &#8220;Kommt, lasst uns anbeten und knien von dem Herrn&#8221; (Psalm 95), &#8220;Gruss&#8221;, &#8220;Herbstlied&#8221;, D. Schostakovich &#8211; &#8220;From the Jewish Folk Poetry&#8221;.<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-4634\" data-postid=\"4634\" class=\"themify_builder_content themify_builder_content-4634 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>This article analyses different types of music texture found in these ensembles. Its goal is to establish the role and interaction between the different parts in the ensemble. It is a key to the correct interpretation of the composer&#8217;s intentions. A special step-preparation rehearsal scheme is offered for this process.<\/p>\n","protected":false},"author":65,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[75],"tags":[83],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Chamber Ensembles with Vocal Duet | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chamber Ensembles with Vocal Duet | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"This article analyses different types of music texture found in these ensembles. Its goal is to establish the role and interaction between the different parts in the ensemble. It is a key to the correct interpretation of the composer&#039;s intentions. A special step-preparation rehearsal scheme is offered for this process.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-04T13:36:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-11T19:51:24+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/\",\"name\":\"Chamber Ensembles with Vocal Duet | ALMANAC\",\"isPartOf\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\"},\"datePublished\":\"2015-11-04T13:36:56+00:00\",\"dateModified\":\"2020-06-11T19:51:24+00:00\",\"author\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/1cec37376718876c1bacdf39a40196f9\"},\"breadcrumb\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/chamber-ensembles-with-vocal-duet\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\\u041d\\u0430\\u0447\\u0430\\u043b\\u043e\",\"item\":\"https:\/\/nma.bg\/almanac_en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Chamber Ensembles with Vocal Duet\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/1cec37376718876c1bacdf39a40196f9\",\"name\":\"Galina Apostolova\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c62030e572f906ee946b320c3e12a10d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c62030e572f906ee946b320c3e12a10d?s=96&d=mm&r=g\",\"caption\":\"Galina Apostolova\"},\"url\":\"https:\/\/nma.bg\/almanac_en\/author\/galina-apostolova\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4634"}],"collection":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/users\/65"}],"replies":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/comments?post=4634"}],"version-history":[{"count":3,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4634\/revisions"}],"predecessor-version":[{"id":4891,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4634\/revisions\/4891"}],"wp:attachment":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/media?parent=4634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/categories?post=4634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/tags?post=4634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}