{"id":4552,"date":"2015-10-18T14:55:22","date_gmt":"2015-10-18T14:55:22","guid":{"rendered":"http:\/\/almanac.nma.bg\/?p=4552"},"modified":"2020-06-08T03:46:43","modified_gmt":"2020-06-08T03:46:43","slug":"real-performance-possibilities-of-cello-players-of-baroque-and-classicism","status":"publish","type":"post","link":"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/","title":{"rendered":"Real Performance Possibilities  of Cello Players of Baroque and Classicism"},"content":{"rendered":"<p>This article analyzes 18th &#8211; 19th century cello performing art development. Baroque influences of instrument characteristics over playing technique and sound quality are examined in detail. Baroque cello schools are surveyed, analyzing their impact on cellists in Europe. Left and right hand performance techniques are studied to determine their capability and achievement in the Classicism. Analyzed are contradictions between composition difficulty and the cello&#8217;s  real possibilities. A need to change some cello performance dating is demonstrated, with changes close to a century for the Baroque era and more than fifty years for the 19th century.<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-4552\" data-postid=\"4552\" class=\"themify_builder_content themify_builder_content-4552 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>This article analyzes 18th &#8211; 19th century cello performing art development. Baroque influences of instrument characteristics over playing technique and sound quality are examined in detail. Baroque cello schools are surveyed, analyzing their impact on cellists in Europe. Left and right hand performance techniques are studied to determine their capability and achievement in the Classicism. [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[65],"tags":[70],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Real Performance Possibilities of Cello Players of Baroque and Classicism | ALMANAC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Real Performance Possibilities of Cello Players of Baroque and Classicism | ALMANAC\" \/>\n<meta property=\"og:description\" content=\"This article analyzes 18th &#8211; 19th century cello performing art development. Baroque influences of instrument characteristics over playing technique and sound quality are examined in detail. Baroque cello schools are surveyed, analyzing their impact on cellists in Europe. Left and right hand performance techniques are studied to determine their capability and achievement in the Classicism. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/\" \/>\n<meta property=\"og:site_name\" content=\"ALMANAC\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-18T14:55:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-08T03:46:43+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\",\"url\":\"https:\/\/nma.bg\/almanac_en\/\",\"name\":\"ALMANAC\",\"description\":\"National Academy of Music \\u201cProf. Pancho Vladigerov\\u201d\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nma.bg\/almanac_en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/#webpage\",\"url\":\"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/\",\"name\":\"Real Performance Possibilities of Cello Players of Baroque and Classicism | ALMANAC\",\"isPartOf\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#website\"},\"datePublished\":\"2015-10-18T14:55:22+00:00\",\"dateModified\":\"2020-06-08T03:46:43+00:00\",\"author\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/623406e6fcfcf44e2d2fee1256697110\"},\"breadcrumb\":{\"@id\":\"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/real-performance-possibilities-of-cello-players-of-baroque-and-classicism\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\\u041d\\u0430\\u0447\\u0430\\u043b\\u043e\",\"item\":\"https:\/\/nma.bg\/almanac_en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Real Performance Possibilities of Cello Players of Baroque and Classicism\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#\/schema\/person\/623406e6fcfcf44e2d2fee1256697110\",\"name\":\"Hristo Hristov\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/nma.bg\/almanac_en\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/39865edc1439b0ad05cd64213f6e193b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/39865edc1439b0ad05cd64213f6e193b?s=96&d=mm&r=g\",\"caption\":\"Hristo Hristov\"},\"url\":\"https:\/\/nma.bg\/almanac_en\/author\/hristohristovnma\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4552"}],"collection":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/comments?post=4552"}],"version-history":[{"count":2,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4552\/revisions"}],"predecessor-version":[{"id":4569,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/posts\/4552\/revisions\/4569"}],"wp:attachment":[{"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/media?parent=4552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/categories?post=4552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nma.bg\/almanac_en\/wp-json\/wp\/v2\/tags?post=4552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}